KEVIN QUINN
CAROL SINGERS
BOAT SHED
PALM SUNDAY
AT THE NYLON FACTORY REUNION
COMFORT
OVERCROWDING
ARNEY BRIDGE
FREES
HANDWRITING
FATHER DALY’S TREES
LOTS
MISSIONERS
NIGHTINGALE
Tully’s
ARGENTA
DRESSER
BRICK
EAST BRIDGE
CLERK
AUCTION
CAROL SINGERS
The carol singers
have made it the length
of Richardsons’ window,
bare but for a tea set or two,
odd bits of Belleek.
On the Courthouse steps,
the lintels of the bank,
the year’s first snow’s
begun to lie. They’re all there,
the Morrisses, the Fitzpatricks,
Tommy Kelly and the wife,
the youngest of the Smiths
of Eden Street.
They huddle in the porch
of the Royal Hotel.
At Carl Kerrigan’s,
sharing an umbrella’s
no match for the entry,
they launch into
Once in Royal David’s City,
a favourite. Overhead
the coloured lights
catch the swirling,
thickening snow.
They stop for tea
at The Melvin,
where they’re expected.
Radio Rentals,
the whole shop’s showing
the half times, the racing.
They stand in, take shelter
at the Munster and Leinster,
make a start on
Away in a manger,
looking a picture.
Felix Hackett’s is packed,
long queues for cardigans.
On the Church Brae
they retune for
In the Bleak Mid-winter,
a near whisper.
They’re breaking up.
The pipes at the back of the
chapel are hot to the touch,
confessions dragging on
up the men’s aisle
as they stand chatting,
drying out.
They make a run for it
straight across Hall’s Lane.
LOTS
You’ve arrived home late
from Mick Flanagan’s Hall
with two cuts of carpet
were never meant
to meet or match
but before the week’s out
are cushioning our tread
on that worn patch
at the turn of the stairs
took the sun early
and would take
you to have done it
to see the join.
BOAT SHED
The pliancy of larch
fed length by length
through the steam box
in Corrigan’s lean-to-shed
and bent, still sappy,
to the curvature
of a keel my quiet father’s
planing, sanding down,
painting coat after coat
that trademark blue
the Reids, the Boyds
will blazon summer
on summer now
the length and breadth
of the lough,
staying away all day,
the islands to themselves,
slipping back in the dark
to the shore, the unlit streets,
juggling the oar-locks,
leaving back the oars.
BOAT SHED
MISSIONERS
The missioners lodged
at the Royal Hotel,
savoured their celebrity
the length of Main Street.
Two sturdy umbrellas
bobbing on the parapet
were the prompt response
when the heavens opened
on the West Bridge.
A brace of Burberrys,
breviaries
made the rounds of the
Broadmeadow.
Men’s Week was all
complicity and yarns,
added seats in the aisles.
The second week
a flotilla of headscarves
converged nightly
on the porch,
a sombre confab
for when it was over.
PALM SUNDAY
Palm Sunday and my father’s
slipped me a lozenge
to last me the Long Gospel
and having sucked it flat
as a ludo counter –
they’re acting it out,
Master Farrell’s Judas,
Jack Keenan’s the High Priest,
it’s like Ben Hur –
I’m suddenly aghast
at breaking my overnight fast.
I appeal to the pillars,
to the saints in their lofty lunettes.
They’re saying nothing.
My only hope now’s
the branch of yew
I broke this morning early
from that unkempt tree
in McNulty’s garden,
climbing to do so
right up inside its
scented, gothic vault.
NIGHTINGALE
When Bertie Trimble
heard Mick McCluskey,
who played piccolo
in the Grattan Band,
whistling up the Forthill
they say he scanned
the beech tops
for a nightingale.
I don’t know so much about that.
But this I do know,
if you listen hard,
you can still hear the Grattans,
their disbanded fifes and drums,
pounding the streets,
their leader’s baton
surmounted by a harp,
in uniforms the mill girls’
pocket money’s paid for.
NIGHTINGALE
AT THE NYLON FACTORY REUNION
Remember the lunchtimes,
trying everything on?
How ribaldry begets
camaraderie, us all
just twigging
to the brilliant wheeze
of being employees.
A resident manicurist,
for god’s sake.
You couldn’t have nails
snagging on the fabric.
Austerity was out the window.
A town on its knees
was pulling up its socks,
putting an end
to make do and mend.
Our own swimming pool,
can you imagine?
Luxury’s good for the soul.
We had the time of our lives.
Nothing later would match it:
the cricket team, the crest,
the Christmas fund,
the lingerie canteen!
It was too good to last.
The first we heard was in the papers.
By the Monday the receivers were in,
the whole shebang auctioned off,
the machinery, the knitters,
the Harrods order cancelled,
Madame Helène upped sticks
and away back to England,
most of us in there from a girl,
as good as. All those discontinued lines,
the amethyst, the topaz, the pearl.
ARGENTA
The real reason Sean Nethercott
didn’t sleep the whole time
he was on the Argenta
wasn’t the squalls on Belfast Lough
or the younger lads trying out their Irish.
No, nothing so virtuous.
He missed, he told us,
couldn’t get over without
the drone of the motor
coming from Whaley’s Bakery,
two doors up from his mother’s,
the nightlong company of loaves
rising, at first light
the long vans leaving The Square,
up the street the first shops lit.
OVERCROWDING
What I wouldn’t give
to have been there,
had a ringside seat,
the night the Regal
was reprimanded
for overcrowding
at The Quiet Man,
the fight sequence
spilling over onto
Townhall Street,
Tylers’ doorway,
the pretend punches –
hold me back,
up with the jooks –
more real by the minute,
a score of Sean Thorntons
in their sideways on caps
it took the RM half a morning
to separate from innocent passers by,
Friday night strollers,
looking in windows,
after a bargain,
sensible shoes,
a good summer coat.
DRESSER
Two duck eggs
on a rimless edge,
pale as delft;
a repetition of plates
breasting wire;
some lace;
commemorative mugs
from a decade
when your dead were young.
Most times it feels
as though I’ve lost it all.
and then, some evening,
a flame, rallying,
frames angled forms,
among them yours, mother,
breasting a chair,
your back to the dresser wall.
ARNEY BRIDGE
The passing places
were a tight squeeze
but to get stuck in there
the night of a carnival,
with one of the band,
was as good as have
your name in lights,
up there with
The Skyrockets,
Gene and the Gents,
the big van idling
just out of sight,
the manager and his brother
at odds with one another
over a map of Ireland,
lining up the next dance.Â
BRICK
How you can tell
a brick’s from here’s
the impress it bears
of the grass where it’s lain,
a night and a day,
hardening in the brickfields
by the Arney river
before being ferried,
low in the boat,
upstream to the town where,
a lifetime later,
after a shower,
in the right light,
if you know where to look,
the plainest of gables
will dry to a summer meadow,
half Henry Street
sway unmown,
a russet prairie,
well into the evening,
setting a light to
that whole end of the town.
FREES
The things that linger.
Mickey Brewster,
the town’s prize athlete,
mid-fielder,
who taught us maths,
long Autumn evenings,
before a big game,
the county or Ulster,
the Gaels’ Field to himself
practising frees,
sweet kick after kick
sailing high between
tapering, freshly limed posts.
EAST BRIDGE
The river snagged
on the new East Bridge,
confused amongst pillars.
Unravelling it threw up
reedballs, saplings,
the pale debris of islands
whose slow dispersal
left it free to saunter,
in Tuscan calm,
by the leeks and onions
of the nuns’ garden,
skirt town backs,
The Impartial,
The Imperial,
flow unremarked
past Dickie’s,
all rakes and hoes,
Jim Brady’s bookies,
the back streets
and, once past the point
of the Barracks,
take in its widening embrace
the whole rest of the town.
HANDWRITING
My mother’s handwriting
grew loose-limbed with age.
Its shoulders sloped,
it wandered, free as filigree
lace, discursive,
all over the place.
A postcard from Bundoran
scarcely has room for your name.
What with the walks, the waves,
the weather.
Oh, the rain it really lashed.
Cheerio. See you Friday. Love Mam.
CLERK
Sifting through the rubble
of Jim Brady’s bookie’s –
Nugent’s Entry’s not what it was –
what are the odds, I wonder,
of unearthing, on the back of a docket,
in the margins of racing pages,
one of the views, vignettes
my uncle Gerry drew –
reed beds, row boats, the shore,
what he saw through the one window,
a pinched, permanent repertoire –
passing the time, doodling,
as they waited on results
coming through of evening meetings
in England, in the fifties,
through fog bound November,
December, early in the clear new year.
FATHER DALY'S TREE
They’re still there,
Father Daly’s trees,
gracing that bend
on the Sligo Road
but who’s left remembers
why they were needed,
the old Gaels’ Field,
lines of men in caps
out on the road,
up to no good,
yahoos, not paying in,
seeing games for free?
The committee’d had enough.
It was past a joke.
The hessian fence hadn’t worked.
Gate receipts were down.
Even county matches,
Galway, Kerry once,
the great Cavan sides
of the forties, the Reillys,
the bryllcreamed Bradys,
living legends
in royal blue jerseys
and week in, week out,
talking over the anthem,
taunting the linesman,
townies, yahoos
cheering on The Gaels.
AUCTION
Up Eden Street in the early dark
I’m struggling to get a handle on
an incomplete encyclopaedia
you’ve bid on blind,
and unopposed,
from the crowded stairs
of that big barracks of a place
up The Pound Brae
you’d walk past for years,
a wall of laurel, without
seeing so much as a postman
and whose every last stick
of furniture’s been listed,
labelled, laid out now
in the morning room,
pantry, scullery
and not least –
shelved in the best
of mahogany, its windows
propped open by what,
now that I think of it,
can only have been
volumes three to five
of Britannica –
the panelled, steep,
and now empty library.
TULLY'S
Quarter to nine and
they’re down on their knees
in the Menswear Department,
not meaning to rise till they’ve
seen the back of the last Glory Be
and Paddy Sheils has gathered his beads,
leaving only the litany,
the Hail, Holy Queen,
the rest of the trimmings.
COMFORT
Asked for my ideal of comfort,
I expect nothing now to surpass
the bottom back room,
that bed against the chimney breast,
my head on my father’s bony arm,
nothing between us but his regular breathing
and the exact weight of a Lisbellaw blanket.
COMFORT
UNIFORM
Term time,
on chair backs
in the kitchen,
pressed, ironed,
my sisters’ uniforms,
two of everything,
blazers, blouses,
pleated skirts,
and to complete the look,
on a hook in the hall,
twin tasseled berets
were swapped, come May,
for panamas
orbited the town
till tea time,
the first shops shutting
and everywhere,
up The Brook,
down Wellington,
out by The Aluminiums,
it’s time to go in.
ACKNOWLEDGEMENTS
Acknowledgements are due to Fortnight, Poetry Ireland Review, The Yellow Nib, where some of these poems first appeared.
My keenest sense of indebtedness is to my family. Many of these stories were their’s before they were mine. I am also greatly indebted to Talie Mau, Noelle McAlinden, Diane Henshaw, Damian Smyth.
Author Photograph Severine Marmey.